{"id":58,"date":"2016-03-24T17:36:27","date_gmt":"2016-03-24T17:36:27","guid":{"rendered":"http:\/\/h.etf.unsa.ba\/bijelatabija\/?page_id=58"},"modified":"2016-05-07T21:11:38","modified_gmt":"2016-05-07T21:11:38","slug":"o-projektuabout-project","status":"publish","type":"page","link":"http:\/\/h.etf.unsa.ba\/bijelatabija\/?page_id=58","title":{"rendered":"O projektu\/About project"},"content":{"rendered":"
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Utvrdjenje poznato pod nazivom \u201cBijela tabija\u201d<\/strong> predstavlja jednu od najimpresivnijih i najva\u017enijih historijskih lokacija u Sarajevu. Nalazi se na jugoisto\u010dnim ivicama nekada\u0161njeg starog grada, sa pogledom na dolinu Miljacke. Tokom historije imalo je va\u017enu strate\u0161ku poziciju. Dio je odbrambenih zidina grada koje su ga nekad okru\u017eivale, a sada okru\u017euju gradsko naselje Vratnik.<\/p>\n

Vrijednost ovog ovog lokaliteta kulturnog naslije\u0111a je u nalazima koji su prona\u0111eni u razli\u010ditim slojevima i poti\u010du iz vi\u0161e vremenskih perioda, od srednjevjekovnog do austrougarskog. Arheolo\u0161ka istra\u017eivanja su rezultirala ostacima srednjevjekovne tvr\u0111ave iz 14. vijeka, te osmanskog perioda (17. vijek) kada je utvrdjenje pro\u0161ireno i izgra\u0111eni novi objekti unutar njega. U toku austrougarskog perioda jedan njegov dio i neki unutra\u0161nji objekti su poru\u0161eni, a sagra\u0111eni su novi. Arheolo\u0161ki nalazi se \u010duvaju u zbirkama Muzeja Sarajeva.<\/p>\n

4D virtuelna prezentacija Bijele tabije ima za cilj da predstavi historijski razvoj ovog objekta kroz kombinaciju digitalnih pri\u010da i interaktivnih 3D modela Tabije u razli\u010ditim vremenskim periodima. Ovi modeli sadr\u017ee digitalizirane arheolo\u0161ke nalaze i njihove 3D rekonstrukcije.<\/p>\n

Projekat je dio Case studije \u00abVisualization of White Bastion fortress based on 3D Spatial Documentation of Material Cultural Heritage And Interactive Digital Storytelling\u00bb koju Sarajevo Graphics Group<\/a>, Elektrotehni\u010dki fakultet Sarajevo radi u okviru projekta COST-Action TD 1201: Colour and Space in Cultural Heritage (COSCH)<\/p>\n

www.cosch.info<\/a><\/p>\n

The fortification known as \u201eWhite Bastion\u201c<\/strong> is one of the most impressive and important historical sites in Sarajevo. It is located on the southeast outskirts of the City, with an overview on the city valley. During the history it had a very significant and strategic position. The fortification is a part of the dominant defense walls that were surrounding the old city of \u201cVratnik\u201d.<\/p>\n

The value of the historical site presents the various strata, starting from medieval until the present time. During the archaeological excavations there were found the remains from medieval fortification from 14th century, Ottomans period (17th century) when the fortification was expanded and some new objects were built. During Austro-Hungarian rule the part of the fortification and the object inside the walls were demolished and destroyed and a new group of objects was built. During the early excavation, a significant number of artifacts was found, registered and conserved for the purpose of the exhibition hosted in Museum of Sarajevo.<\/p>\n

4D Virtual presentation of White Bastion aims to present the historical development of this cultural heritage object through digital stories combined with interactive 3D models of the Bastion in various time periods. These models contain digitized findings from the site and their 3D reconstructions.<\/p>\n

This project is a part of Case study “Visualization of White Bastion fortress based on 3D Spatial Documentation of Material Cultural Heritage And Interactive Digital Storytelling\u00bb implemented by Sarajevo Graphics Group<\/a>, Faculty of Electrical Engineering Sarajevo within the COST-Action TD 1201: Colour and Space in Cultural Heritage (COSCH)<\/p>\n

www.cosch.info<\/a><\/p>\n

Projektni tim \/ Project team<\/strong><\/p>\n

autori ideje \/ authors of the idea<\/strong>
\nSelma Rizvi\u0107
\nAdnan Muftarevi\u0107<\/p>\n

arheolog konsultant \/ consultant archaeologist<\/strong>
\nAdnan Muftarevi\u0107<\/p>\n

glumac \/ actor<\/strong>
\nMirsad Tuka<\/p>\n

scenario \/ scenario<\/strong>
\nFatmir Alispahi\u0107<\/p>\n

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Elektrotehni\u010dki fakultet Sarajevo \u2013 Sarajevo Graphics Group<\/a><\/strong><\/p>\n

3D modeliranje i web dizajn \/ 3D modeling and web design<\/strong>
\nAida Sad\u017eak<\/p>\n

web programiranje \/ web programming<\/strong>
\nIrfan Prazina<\/p>\n

digitalizacija arheolo\u0161kih nalaza \/ archaeological findings digitization<\/strong>
\nFotis Arnaoutoglou
\n“Athena” Research & Innovation Center, Greece<\/p>\n

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DIGI.BA<\/strong><\/p>\n

tehni\u010dki sekretar \/ technical secretary<\/strong>
\nReuf Kapid\u017ei\u0107<\/p>\n

3D rekonstrukcija arheolo\u0161kih nalaza \/ archaeological findings 3D reconstruction<\/strong>
\nMirsad Festa<\/p>\n

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BHRT<\/strong><\/p>\n

Ekipa Radio dramski program \/ Radio drama program crew<\/strong><\/p>\n

urednik \/ producer<\/strong>
\nMiralem Ov\u010dina<\/p>\n

ton majstor \/ sound technician<\/strong>
\n\u017deljko Markovi\u0107<\/p>\n

spiker \/ speaker<\/strong>
\nJesenko Krehi\u0107<\/p>\n

Ekipa BHT1 \/ BHT1 crew<\/strong><\/p>\n

urednik \/ editing producer<\/strong>
\nNihad Ze\u010devi\u0107<\/p>\n

producent \/ producer<\/strong>
\nZlatomir Ban<\/p>\n

izvr\u0161ni producent \/ executive producer<\/strong>
\nJasmin Salanovi\u0107<\/p>\n

voza\u010d \/ driver<\/strong>
\nOmer Buki\u0107<\/p>\n

garderoberke \/ wardrobe<\/strong>
\nDina \u017duni\u0107
\nBisera Baji\u0107<\/p>\n

\u0161minkerka \/ make up<\/strong>
\nLamija Had\u017eihasanovi\u0107 – Homarac<\/p>\n

rasvjeta \/ lighting<\/strong>
\nElvedin Hamzi\u0107<\/p>\n

tonski snimatelj \/ location sound<\/strong>
\nNedim Muminovi\u0107<\/p>\n

autor muzike i postprodukcija zvuka \/ music composer and sound designer<\/strong>
\nAdnan Mu\u0161anovi\u0107<\/p>\n

crte\u017ei i kompjuterska animacija \/ drawings and computer animation<\/strong>
\nMirsad Festa<\/p>\n

grafi\u010dki dizajn i kompjuterska animacija \/ graphics design and computer animation<\/strong>
\nAida Sad\u017eak<\/p>\n

monta\u017ea \/ editor<\/strong>
\nNermin Komarica<\/p>\n

direktor fotografije \/ director of photography<\/strong>
\nHakija Had\u017ealic<\/p>\n

reditelj \/ director<\/strong>
\nVedad Hod\u017ei\u0107<\/p>\n

koordinator projekta \/ project coordinator<\/strong>
\nSelma Rizvi\u0107<\/p>\n

 <\/p>\n

Zahvaljujemo se \/ With thanks to<\/strong><\/p>\n

Emiru Gani\u0107u na snimcima dronom \/ Emir Gani\u0107 for drone footage
\n“Jezi\u010dke usluge Diwan” d.o.o. na prevodu na engleski jezik \/ Diwan language services provider for English translation
\nNarodnom pozori\u0161tu Sarajevo na ustupljenim kostimima \/ the National theater Sarajevo for providing the costumes<\/p>\n

Proizvodnja \/ Produced by
\nETF\/DIGI.BA\/BHRT
\nApril 2016<\/p>\n<\/div>\n


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